Yesterday, I showed you a sneak peek of Glamour in Glass through a picture of Jane’s dove grey silk dress. She thought it seemed dingy by comparison… to what?
To this dress.
The dove silk which had seemed so fine when
she had commissioned it last summer now seemed dingy by comparison to gowns such as Lady Hertford’s rich claret velvet, which had long sleeves slashed to allow glimpses of a cloth of silver.
This painting is actually Jane, Lady Munro by Sir Martin Archer Shee but I thought it was lovely and gave it to Lady Hertford.
Lady Hertford is a historical figure who I am using in Glamour in Glass. In fact, unlike Shades of Milk and Honey, I use a number of real people and places.
What did the real Lady Hertford look like?
At her side now stood the inimitable Lady Hertford, who also gazed at the painting. This celebrated beauty’s very presence lent the room an additional elegance. Her claret velvet dress might have been chosen as a deliberate complement to the blue walls. The line of her neck would have been a welcome subject for any artist.