Puppetry vs. writing: Why I am doing less puppetry now.

Here’s a list of wordcounts and dates over the past couple of weeks for The Transfigured Lady. Hm… I wonder on which days I was building puppets?

One of the things that I know about myself is that puppet design and construction use pretty much exactly the same part of my brain as writing does.  This is the part of the brain that engages in problem solving and character development.  It’s my storyteller.

Performing, on the other hand, has no impact on writing.  Those two parts of my brain are unrelated.  I suspect that would be different if I were doing a lot of improvisational theater because that gets back to the problem-solving/storytelling brain. Normally, though, as a performer the emphasis is on execution. There’s communication with an audience but that involves honing my craft, not inventing new things.  In terms of the parts of my brain that get engaged, performance is executing a problem that’s already been solved, if that makes sense.

The thing is that the urge to design and create a show is also affected by writing.  When I write, the creative itch to work on a new show isn’t there. So, a project has to be really compelling to get me excited.  I’m also not driven to seek out new opportunities in the way I was before I started writing.

Oddly, at the same time the drive isn’t there, I miss the puppetry.  When I was building the Odd and the Frost Giant rehearsal puppets, it was deeply satisfying.  I love the tangibility of the creative process in puppetry.

I’m still trying to find a balance in my life between writing and puppetry.  You see why there’s a conflict though.