Puppetry

Auditioning for the Met

Today I auditioned for the Metropolitan Opera’s production of Madama Butterfly. Their production uses a bunraku-style puppet for Madame Butterfly’s child. This style of puppet normally takes three performers and they were casting understudies; the principals were pre-cast. First of all, receiving an email which says, “go to the back of the Met to the

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Practise session

Jodi came over this afternoon and we spent a while with one of my rehearsal puppets practicing some overt manipulation. We’ve got an audition tomorrow and figured it would be a good idea to brush up. The thing is, that we’ve performed for so long together that we got back into the groove really fast,

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Coraline clothed

I’m sorry, I meant to post these photos yesterday. To a certain degree creating the clothes for this paper doll is much like creating a costume for a human. I start by draping my “muslin” (in this case a soft, white, rice paper) to get the shape I want. I can’t use exactly a pattern

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Want to make a wing?

This requires some explanation. The costume designer for Mabou Mines’ latest show approached me about making a wing mechanism for her. I didn’t have time for the whole project, but was able to make a single wing, hoping that they could copy it for the other. She took it to California to be tested. Last

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Coraline’s legs

The legs start the same was as the arms did, so we’ll skip all that and go straight to the knee joint. I glue two pieces of fabric to the back of the leg, making sure that the joint is completely snug. It is important to have things tight, so that I don’t have slop

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