Debut Author Lessons: Mini lesson on leveling up
- Debut Author lessons: Signing stock for bookstores
- Debut Author Lessons: The importance of Brick and Mortar stores
- Debut Author Lessons: 10 things about signing books
- Debut Author Lessons: Mail and P.O. Boxes
- Debut Author Lessons: The Q & A
- Debut Author Lessons: Surviving on tour
- Debut Author Lessons: Frequent Flyer miles
- Debut Author Lessons: How to deal with self-promotion and award season
- Debut Author Lesson: How to be a professional when you want to fangirl
- Debut Author Lesson: On Facebook
- Debut Author Lesson: Audio books
- Debut author lessons: Writing is no longer a hobby.
- Debut Author lessons: The author photo
- Debut author lessons: Hate mail
- Debut Author Lesson: Your first Guest of Honor gig
- Mini debut author lesson: So much paper in a contract
- Debut Author Lesson: Covers
- Debut Author Lesson: The Launch Party
- Debut Author Lessons: Mini lesson on leveling up
- Debut Author Lessons: Should you be a full-time writer?
- Debut Author lessons: Sensitivity readers and why I pulled a project.
Sometimes I think it’s useful for early career writers to see the things that might happen to your brain later. I just got an email from my editor that Shades of Milk and Honey is going into its 7th printing.
Between all the US editions so far, we’ve netted 23,793 copies. That’s not counting the UK or foreign language editions.
Now… to me, that seems like a staggering amount of people to have read my book. But, to put that in perspective: Wise Man’s Fear sold more in the first week. At the same time, other writers will look at my 23k and be jealous because they haven’t sold as many copies. This is the tricky thing about being an author. You are constantly measuring yourself against other writers, which isn’t useful. Books are very, very different beasts and you can rarely do direct comparisons.
So on the one hand, I’m looking at seventh edition and feeling like OMG! I’m a real writer now, and also knowing exactly how that stacks up compared to a NY Times best seller.
The point of all of this is that, as you go forward you have to define your own sense of success.
For me? Seven printings is a very nice place to be.
But so was selling a single book.
And so was selling a single story.
And so was just finishing a story.
Those success points are going to change over time, and they should. That’s how you level up as a writer. It’s why imposter syndrome happens, because you attain success and immediately set another goal. When you stop having imposter syndrome. When you stop thinking of ways in which you can improve, that’s when you need to worry.
Meanwhile, enjoy the highs of attaining a goal and then set the next one.