William C. Tracy is joining us today to talk about his book Merchants and Maji: Two Tales of the Dissolutionverse. Here’s the publisher’s description:
An old war machine and a revolutionary space capsule will change relations among the ten species forever
Prot, Amra, and crew sell goods across the ten homeworlds in a refitted war transport, saving up to buy a shop. But after fees to travel between worlds, their profits always fall short. Their newest customers are the xenophobic Sureriaj. But when a protest over offworlder trading shuts down all business, the crew’s only hope is to leave the planet delivering emergency medical supplies. The contract is for too much money, the seller is using a false name, and the cargo is magically sealed. Nothing could go wrong.
The First Majus in Space
The ten species are in awe of the first space capsule. But when the majus piloting it is assassinated, Origon Cyrysi is the only one able to complete the mission. Too late, he finds the spacecraft may cost him his abilities. And even if Origon returns from space, the escaped assassin might still trigger an interstellar war. Either way, the fuel is burning.
What’s William’s favorite bit?
WILLIAM C. TRACY
Hopefully I may be forgiven having two favorite things since there are two stories in this novella. The first occurred in editing “Last Delivery.” I happened to listen to an episode of a podcast many of us are familiar with, which discussed unconscious biases, specifically with respect to women. I, as a male writer, often find myself writing male characters, especially side characters. But lately I’ve started challenging my character gender choices. In this particular case, “Last Delivery” had a cross species couple, consisting of a fiery female gun toting Festuour (large bear-like creature) and a very tall and dark male Methiemum (basically a human) doctor. Though their relationship is not a major part of the book, I have a whole convoluted and star-crossed background to the relationship floating through my mind.
The writing prompt at the end of the episode was to take something you’ve written and gender-swap it. So on a whim, I applied it to my story. Boom. Kamuli (the Methiemum doctor) was now a very large and dark woman who liked carrying knives. And her relationship with Bhon (her Festuour mate) suddenly took off for me. It finally worked, Kamuli’s actions became more certain, and the story became stronger. On top of that, a certain head-cannon (which I suppose is actual cannon, since I wrote it…) became fixed in my mind. Like many others, Kamuli had not been comfortable as a man. She was not only a female character, she was a trans woman. It isn’t mentioned or even hinted at in the story, as it’s not important to the tale, but you, dear readers, know the truth. There may be a story in the future of how Kamuli and Bhon’s romance began, and now you have a sneak peek…
I also challenged myself to scrutinize the heroic, over-the-top female lead. You’ve read the type before—Conan the Barbarian in a bikini. Instead, Amra, the main character’s girlfriend, is not a badass. She’s not very good with weapons. She’s an accountant. She wouldn’t mind settling down somewhere. I worked very hard on her character, with some great feedback from critiquers to tell me when I had crossed too far into “subservient and passive.” But in the end, I feel she becomes the heart of the story. Certain events could not happen the way they do if her character had been more intense. Amra also became a stronger, more real character for me, and I hope, for my readers.
My favorite bit for the second story, “The First Majus in Space” is pretty much what it says on the tin. I get to put a wizard in a spaceship. If you’ve ever watched Babylon 5, you can probably guess my favorite characters—the technomages, of course. I liked this idea so much it even became my imprint: Space Wizard Science Fantasy. The interaction between magic and technology is always a fascinating place to explore, but since the magic system in the Dissolutionverse uses reversible and non-reversible energy transfer, I got to play with how the technology effectively would suck away a majus’ magic, defined by their “song,” even if the end product still had the desired effect:
There was a pattern to the relentless beat of the fuel. He didn’t have to catch the notes to change them. He instead saw their pattern, made the new musical phrase, crafted from his own song, ready to insert it…there.
The ship righted abruptly, but Origon felt his invested song ripped out of his grip, flying out far beneath them. The ship began to list to the other side.
Gasping, his stomach threatening to jump out of his throat, he realized what he should have before. He no longer envied Teju his place here. There was no chance to reverse any of the changes he made. Every change to the Symphonies on this trip would be permanent. The shuttle was flying so fast that the surrounding music was in constant flux, notes changing. It would strip each application of his song from his being. If he was not efficient, the flight would drain him to something insubstantial, his song stripped of its notes.
But this unfortunate development will become a defining aspect for the titular majus, Origon. Because I’m a big fan of connected stories and larger universes, it becomes part of the arc started in my first novella, Tuning the Symphony, set almost twenty years in the past, and continued in a full novel coming in 2017.
So there you have it: gender studies and technowizards, my favorite bits of Merchants and Maji. As the story of the Dissolutionverse grows, I’m looking forward to writing more adventures and finding many more favorite bits in the years to come.
William C. Tracy is a North Carolina native and a lifelong fan of science fiction and fantasy. In no particular order, he is a mechanical engineer, a Wado-Ryu Karate instructor, a video and board gamer, a gardener, a reader, and a writer. In his spare time, he wrangles three cats and a bald guinea pig, and his wife wrangles him (not an easy task). Both of them both enjoy putting their pets in cute little costumes and then taking pictures of them repeatedly.
He is the author of Tuning the Symphony, another novella in the Dissolutionverse.