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I paper-mached the pieces separately and then put a base coat of acrylic and spraypaint on the pieces. When I sprayed the pieces, I kept the black can very low, in relation to the pieces, so it only hit the high points with paint. This creates an illusion of shadows that are softer than what I can do with a brush.
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And here she is glued together and painted. The designer, Michael Schupbach, wants her to look like she has gold inside, so I’ve painted the deep cracks with gold glitter paint.
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