My Favorite Bit: Uncanny Magazine Year Three Kickstarter — The Space Unicorn Flies Again!

Favorite Bit iconMichi Trota is joining us today to talk about the Uncanny Magazine Year Three Kickstarter. About the Kickstarter:

Over the last two years, three-time Hugo Award winner Lynne M. Thomas & four-time Hugo Award finalist Michael Damian Thomas ran the Uncanny MagazineYear One and Year Two Kickstarters. We promised to bring you stunning cover art, passionate science fiction and fantasy fiction and poetry, gorgeous prose, and provocative nonfiction by writers from every conceivable background. Not to mention a fantastic podcast featuring exclusive content.

Through the hard work of our exceptional staff and contributors, Uncanny Magazine delivered everything as promised. All Uncanny Magazine content is available for free over the web, thanks to your support.

We’ve had exceptional Years One and Two with numerous accolades. So far, pieces from Uncanny Magazine Year One are finalists for 14 different awards and have been included in 6 separate Year’s Best anthologies. This year, we’ve been recognized as a World Fantasy Award Finalist (Special Award, Nonprofessional) and Hugo Award Finalist (Best Semiprozine). Hao Jingfang’s Uncanny Magazine story “Folding Beijing” (translated by Ken Liu) became a finalist for the Hugo, Sturgeon, and Locus Awards. Amal El-Mohtar’s “Pockets” and Sam J. Miller’s “The Heat of Us: Notes Toward an Oral History” are also World Fantasy Award Short Fiction finalists.

This is a phenomenal achievement for our first year of existence, and we couldn’t have done it without you. This is your magazine. Our community of Kickstarter Backers, the Space Unicorn Ranger Corps, made it possible for our remarkable staff and contributors to create this wonderful art for all of our readers.

Thank you. Thank you for having faith in us and becoming stakeholders in this dream.

Though Uncanny continues to develop several additional funding streams, we still need the help of the Space Unicorn Kickstarter community to keep bringing you this amazing content.

This is why we’re running the Uncanny Magazine Year Three: The Space Unicorn Flies Again Kickstarter! If you’ve been looking for an opportunity to join or re-up with the Space Unicorn Ranger Corps, now’s your chance!

We have an outstanding group of solicited contributors, fantastic backer rewards, plus some additional surprises on deck for Year Three!

Short Stories!




There will also be more slots for unsolicited submissions (we reopen once we reach our first fundraising milestone). We’re deeply committed to finding and showcasing new voices in our genre from around the world.

Uncanny Magazine is published as an eBook (MOBI, PDF, EPUB) bimonthly (the every other month kind) on the first Tuesday of that month through all of the major online eBook stores. Each issue contains 3-5 new short stories, 1 reprinted story, 3 poems, 2 nonfiction essays, and 1 interview, at minimum. Our monthly podcast includes a story, a poem, and an exclusive interview in each episode.

Kickstarter Backers at the Subscriber Level or higher, and those purchasing single issues, get each issue in its entirety up front, no waiting. Those reading online for free wait a month for the second half, which appears on the second Tuesday of the month at

We at Uncanny think we’re doing important work, and we’d like to continue. Please consider supporting Uncanny Magazine Year Three.

What’s Michi’s favorite bit?



Clearly I need to obtain a Time Turner. Or a TARDIS. Because it doesn’t feel as if it’s been a full year since Uncanny Magazine ran our Kickstarter to fund Year Two, and yet here we are, back in the thick of things with another Kickstarter to fund Year Three.

And what a year it’s been.

The outpouring of support for Uncanny’s Year Two Kickstarter blew us past all of our stretch goals, allowing us to publish another year’s worth of beautiful, challenging, and inspiring SF/F prose, poetry, and art. The magazine is now both a Hugo Award and World Fantasy Award finalist, and several Uncanny pieces have been included in Year’s Best anthologies and nominated for awards. My reading pile is never going to be empty, thanks to all the writers whose work I’ve been introduced to because of Uncanny (I’m pretty sure my tombstone’s going to say “Here lies Michi: She was buried by stories she hadn’t yet read”). I’m so happy to know that Uncanny’s work is bringing so much enjoyment to SF/F fans, and I couldn’t ask for anything more than this.

And yet there is: I’m immensely humbled by the fact that as Uncanny’s Managing Editor, I’m the first Filipina to be a Hugo finalist, in any category.

This isn’t My Favorite Bit about Uncanny though, as proud as I may be as a Hugo finalist, but it does illustrate what I love best about Uncanny: the dedication of its publishers, staff, and supporters to welcome and celebrate the best of what SF/F has to offer, in all its infinite variety. Because Space Unicorns know that it’s not just enough to open the gates of SF/F and wait for people to walk in, especially if they haven’t always been welcome — in order to build a thriving, vibrant SF/F community, you also need to do the work of actively inviting others in, which includes reaching out to new people, as well as those you know. Uncanny has become a home for weird, wonderful, experimental prose, poetry, and art, and I’m especially proud of how the magazine has become a platform for sharing the work of marginalized creators.

Visibility is incredibly important. Who we see as characters, as creators, can either inspire us or close the door on our dreams. It can be a struggle to remain true to your vision and find the energy to create in a world that often ignores (if not denigrates) your work; it’s that much harder when you think you’re alone, and when you don’t see people who share your face and your experiences in the spaces you want to join.

I’ve lost count of the number of times I’ve been on a panel at a con, and been approached afterward by AAPI (Asian American/Pacific Islander) fans, by Filipino fans, who tell me what it means to see themselves represented in these spaces. Before I joined Uncanny, I participated in geek communities. I went to conventions, organized panels and local nerd events. I started firespinning in cosplay. I’ve read SFF all my life and considered myself a fan, but didn’t exactly feel as if I belonged in fandom. Even though I’ve been working in publishing and editorial for over 15 years, the idea that I could be a part of a publication like Uncanny never even crossed my mind (ok, it did, but I didn’t actually think it would happen). But here I am, 11 issues under my belt, going to my very first WorldCon as an actual Hugo finalist, all because Lynne and Michael Thomas, Uncanny’s Editors-in-Chief and publishers, believed in what I could contribute to the magazine and took a chance on asking me to be a part of it.

This approach is why every issue of Uncanny can be exciting and new for both regular readers and those who are just discovering the magazine. We’ve published stories about telepathic alien lions, the literally-combustible nature of collective fury and sorrow, tattoos that determine the nature of one’s personality, zombie-haunted beaches, and weird Western desert ghosts. You can find essays about everything from geek rock to gaming communities to examining nerd culture and social privilege to starting your own podcast. I’ve personally re-discovered an appreciation for poetry in reading Uncanny’s selections, and I squee with delight every time I’m given a new piece of cover art for each issue (at this point I’m going to have to dedicate one wall in our apartment just for Uncanny covers). Deborah Stanish’s interviews with Uncanny contributors are never anything less than insightful, and just when I think I’ve made up my mind about how I feel about a story or a poem, Amal El-Mohtar and Erika Ensign’s readings on the Uncanny Magazine Podcast allow me to experience those pieces in a different light.

There’s a reason why we say Uncanny publishes prose, poetry, and art that will make you feel.

When people ask me why I love SF/F so much, why they should give the genre a chance, I can tell them without hesitation to look through Uncanny because there are so many different approaches and interpretations of what SF/F means that they are sure to find something that speaks to their own tastes. The magazine is constantly evolving, expanding, and experimenting with what SF/F is, and can be.

The willingness to embrace new people, seek out fresh perspectives, and publish SF/F that is at turns gorgeous, experimental, heart-wrenching, and challenging (and sometimes all at once), is what I believe makes Uncanny so special, and really is My Favorite Bit about the magazine and the community it’s creating. I know for certain that I wouldn’t be here without it, and I can’t wait to see where it takes us next.


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Michi Trota is a writer, editor, speaker, communications manager and community organizer in Chicago, IL. She is the Managing Editor for the Hugo Award and World Fantasy Award finalist Uncanny: A Magazine of Science Fiction and Fantasy, and is the first Filipina Hugo Award finalist. Michi writes about geek culture and fandom (and sometimes food), focusing primarily on issues of diversity and representation, on her blog Geek Melange, and is a member of the Chicago Nerd Social Club’s Board of Organizers. In her professional life, she is a content development and growth manager with over fifteen years of editorial experience in media. In her spare time, she spins fire with the fire+bellydance showcase, Raks Geek, and at the Chicago Full Moon Jams. You can follow Michi on Twitter @GeekMelange.

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