Debut Author lessons: The author photo
- Debut Author lessons: Signing stock for bookstores
- Debut Author Lessons: The importance of Brick and Mortar stores
- Debut Author Lessons: 10 things about signing books
- Debut Author Lessons: Mail and P.O. Boxes
- Debut Author Lessons: The Q & A
- Debut Author Lessons: Surviving on tour
- Debut Author Lessons: Frequent Flyer miles
- Debut Author Lessons: How to deal with self-promotion and award season
- Debut Author Lesson: How to be a professional when you want to fangirl
- Debut Author Lesson: On Facebook
- Debut Author Lesson: Audio books
- Debut author lessons: Writing is no longer a hobby.
- Debut Author lessons: The author photo
- Debut author lessons: Hate mail
- Debut Author Lesson: Your first Guest of Honor gig
- Mini debut author lesson: So much paper in a contract
You’ve sold a book. They are going to ask you for a photo of you to put on it. And if that doesn’t happen, then a convention will ask for a headshot to go on the program book, or a short story market will want one for the website. Someone, at some point, is going to need your author photo.
Here’s how to be ready.
First, let’s discuss the function of the author photo.
- It is a selling tool that makes you, the author, look like someone the reader wants to spend the next several hours with.
- It is a selling tool that reinforces the tone and style of fiction you write.
- It is a selling tool that makes the book/magazine/convention look better.
- It is a selling tool that helps provide recognition on the next project.
It is not something that makes your mom feel good about the way you look, although that can be a side effect.
Now, understanding the function, the next thing to do is to understand that you will probably have to spend money. Yes, it is possible to get a good snapshot from a friend, but you can tell the difference.
The photo on the left is the photo of me on Wikipedia, snapped by Eric James Stone. I quite like it and my hair is doing what I want it to do.
It is also, obviously a snapshot, even if I changed the framing so that it wasn’t centered like a passport photo, this is still clearly a snapshot.
The photo on the right is the one that I use on my books. I have a cropped version when they need head only. It is clearly a professional photograph. Even if you know nothing about photography you can tell the difference between the two.
Why is this important?
Because the level of professionalism you show here reflects on how seriously you take the whole package. People do, in fact, judge a book by its cover and you, my dear, are part of the cover.
How do you find a photographer?
If you have a local friend who is an actor, ask them who takes their headshots. If you don’t, contact the best theater in town and ask them if they can recommend a photographer who does headshots.
Why someone who specializes in headshots as opposed to portraits?
Honestly, it’s because this is an easy filter. There’s a very wide range of portraiture styles and options, and it adds a layer of decision making to an already unfamiliar process. Photographers who do actors headshots are used to the requirements needed to reproduce a image in program books, including licensing terms. They know how to tell a story about the person while at the same time creating something that is relatively neutral. They also won’t give you a photo that looks like it should be used in your obituary or high school yearbook. You know the type I’m talking about.
What makes a good headshot?
I’m going to assume that your photo will be well-lit, in focus, and high resolution. From there you are looking for an image that:
- looks like you
- represents your public persona
- is not overly theatrical
Looks like you
Actors get new headshots every two to five years because the body can change during that time. Fashions can change. You update the photograph in the same way you update your clothes. There’s often a temptation to stay with an older photograph because you’ve aged, or put on weight, or been ill, or some other thing so that you feel like your past self looked better.
If someone, like a fan or a bookseller, knows you only through your photograph, when they see you they will compare the Now you with the Past you. You don’t want the first thought in someone’s head to be, “Wow. He got old” or “I wonder what happened to her?” You want them to have a sense of familiarity, because that is part of the connection you’re trying to build. So that means a photograph that actually looks like you.
I’m changing my headshot from the one on the left, taken in early 2010, to the one on the right, taken in 2012 because I’ve put on a little weight and grown my hair out. Both of these are great shots, but I don’t look as much like the left anymore. Updating regularly means that it isn’t as jarring for me when I change photos.
Representing your public persona
At the same time, you probably have a writer uniform that you wear to conventions and appearances. Think about the type of fiction you write and how you represent yourself on panels. Do you tend to write dark fiction? Then you might lean toward leather or deep colors. Do you write historical fiction? Then maybe you opt for a top that has vintage elements. Whatever it is– think about having your uniform and photograph reflect that so that it gives the viewer a visual cue. Remember, this will be on the jacket of your book.
Not overly theatrical
It’s fine to stage a photograph that’s not naturalistic, but you don’t want the story of the photograph to outweigh the connection with you. For instance, I write historical fantasy. Wearing a Regency dress and staging a tea in one of my photos would be distracting to a viewer. Instead of giving the illusion that they are seeing Me, and thus building a connection, an overly theatrical photo will keep them at a distance by putting the narrative of the photo between us. Does that make sense?
Check out this photo of Ray Bradbury by Rod Searcey as an example.
Do you see how it 1) looks like Ray Bradbury, 2) represents his public persona by reminding us of Fahrenheit 451, 3) is not overly theatrical, because he’s still engaged with the viewer. The firefighters are just background, not part of the story.
Other than that, it’s a lot of stylistic preferences that are going to vary wildly based on the image you want to present of yourself. Look at a lot of author and actor photos to decide what you want. Talk to the photographer and make sure you are comfortable with her or him. If you aren’t comfortable, that will show in the photos.
For the shoot itself
- Take multiple outfits with you so you have options.
- Plan for multiple locations, or backgrounds.
- Pay for the session rather than per photograph. It’s more up front, but better in the long term.
- Make sure that you negotiate the right to reproduce the photos so you don’t need to keep coming back to get permission every time you have a new book. Studios that cater to actors are used to this.
- Wear make-up. Yes, you too, gentlemen. It doesn’t have to be visible makeup, but it will help your features pop. In person, the animation of your face is enough, but a photograph is a static image.
Once you have the photos
- Narrow it down to no more than a dozen that you like.
- Get second opinions before you make your choice.
- Ask your editor, agent, and the marketing department at your publisher for their opinion. This is a selling tool, remember.
- Look at your photos and ask yourself, “Would I want to read a book written by this person?”
It’s a lot to think about, but I hope that having an understanding of the purpose of the author photograph will help make the whole thing a little easier. At the end of the day, the author photograph is a way to help you sell your book.
And just to close out, here are some photographers that I recommend.