I’ve spent most of the last two days trying to solve the issues with ventilation in ways that don’t make it really unpleasant for the actors. The thing about testing to see if the fogging still occurring is that really the only way to do it is to put the head on and start a timer to see when the eyes fog over. So, I’ve spent a lot of time with the bear head on. The other night, I edited the short video of the bear during bouts of testing.
Right now, I’ve got it on again as I’m writing this. AÃ°albjÃ¶rk and Josa, the actresses who will take turns being Hringur, came over to test my mock up. They agreed that it was only mildly obnoxious and that the fogging didn’t seem to be happening.
So, I’m putting the real one in now, or rather, I’m testing the real one before doing the last thing that will make it permanent. My assessment is that, while it does seem to stop the fogging, it makes the impression of heat in the head more intense. See, what’s happening is that the hot air coming out of my nose and mouth is bouncing around in a much smaller area before exiting the character, which means that it feels like I’m breathing in a steam bath.
In theory, the finished bear is not noticeably different from the original bear, but is cooler. What I’m finding is that when I’m moving around, enough of a breeze gets through all of these small holes to cool the head down somewhat, at least compared to what it was before. I’ve been in the head for about fifteen minutes now, including a dance break, and there’s no fogging. BjÃ¶rgvin is coming by to pick Hringur up for rehearsal. Oh, please, please, let this work when they rehearse with it.