My short story, “For Want of a Nail” is up at Escape Pod as part of their Hugo Month. It is read by the awesome Mur Lafferty. You can listen to the whole story at EP296: For Want of a Nail : Escape Pod.
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Woot! Escape Pod has accepted Jaiden’s Weaver for their podcast. I love Escape Pod. It’s my go-to audio fiction source when I’m building puppets so I’m delighted that “Jaiden’s Weaver” is going to appear there. Originally, this story appeared in Mike Brotherton’s Diamonds in the Sky anthology and you can read the entire story there.
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My short story “Evil Robot Monkey,” read by Stephen Eley, appears on Escape Pod today as part of their yearly podcast of Hugo nominees. It first appeared in the Solaris Book of New Science Fiction, vol. 2 edited by George Mann. Sliding his hands over the clay, Sly relished the moisture oozing around his fingers.
Escape Pod » EP196: Evil Robot Monkey Read More »
Gord Sellar was born in Malawi, raised in Canada, and now is living in South Korea, where he works as a professor and is researching the status and development of Korean SF. His writing has appeared in Asimov’s Science Fiction, Interzone, and Apex Magazine, among other places, and his story “Lester Young and the Jupiter’s
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This week’s Escape Pod episode is my story “Chrysalis” which came out in Aoife’s Kiss. Cunning Minx gives it an evocative reading. People ask me if I ever get involved with the subjects of my documentaries. I have a difficult time imagining that they would ask my male colleagues the same question, but they seem
Escape Pod » EP186: Chrysalis Read More »
I read this weeks Escape Pod, Reparations by Merrie Haskell. To paraphrase Steve Eley, this isn’t a 9/11 story, but it was the right day to run it. The story is beautifully, painfully written. The text was easy to read, the content was not. I encourage you to listen to it. I just swab my
Escape Pod » EP175: Reparations Read More »
Yay! I’ve been wanting to break into Escape Pod forever, because, man, do I love that podcast. Here’s a teaser of the opening Chrysalis People ask me if I ever get involved with the subjects of my documentaries. I have a difficult time imagining that they would ask my male colleagues the same question, but
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