This is a gag reel put together in 1990 by Disney to welcome the Muppets back.
Posts Tagged ‘video’
If I have to explain why this is made of awesome, you probably won’t appreciate the video. I will forgive the bunny’s lipsync because he amuses me.
(hat tip to Chris Hansen)
The video was created by David Kazzie.
(Hat tip to Michael Chan for pointing it out)
This polar bear is so adorable that it’s easy to forget he could rip my head off without thinking. How cute is he? That’s Willie, from the North Carolina zoo. He used to be in a circus under very poor conditions but was rescued and lives at the zoo now.
He’s still apparently a bit of a ham as you can see from this video. Also, note the scale. That’s a really, really big bear.
How did I not know that The Guild had a new music video that combined my love of The Guild and Bollywood? People, you are supposed to keep me apprised of such things by linking repeatedly to them. That’s what the internet is for.
See? Here it is!
Yeah… that puts things into perspective. And the interstellar travel in your SF story works… how? Powered by handwavium! Oh, well that’s all right then.
(spotted on EpicFTW)
(hattip to Jennifer Pelland for spotting this beauty.)
There’s more information about the novel and the people behind the traler at http://www.ShadesOfMilkAndHoney.com/trailer. I will shamelessly ask that you pass that link around to anyone that you think might like it.
Meanwhile, I thought you might like to know a little about how the trailer is made. We’re using a style of puppetry called Shadow Masks. The style was originated by Larry Reed of Shadowlight in San Fransisco and it combines the grace of a human performer with the stylization of shadow puppetry.
All of the set pieces are created with small cut paper vignettes on an overhead projector, while the performers work next to a paper screen with the masks. So when the Lady (Sarah Frechette) is sitting at the fortepiano, that’s a practical bench and a shadow fortepiano. Sarah is a puppeteer by trade but we also had two members of the Oregon Regency Society in to play the seamstress (Suzannah Hamlin) and the gentleman (Jason Stanley). They do a wonderful job and I wish you could see some of shots we didn’t use, which really show off their beautiful sense of movement.
The magic, which in the world of the novel is called glamour, is CG and created by Remo Balcells, a BAFTA award winning special effects supervisor, and his assistant Johnathan Nation.
Due to the delayed flight, I am once again ensconced on the porch of Merrie Haskell’s lake house and working on revisions to Glamour in Glass. While I am thus engaged, allow me to present to you Emma Thompson’s speech at the Golden Globes when she pretended to be Jane Austen.
This makes me giggle. Particularly at 2:14.