Thor’s body and playing with Loki’s face
- A first concept for Thor’s head
- Thor’s body and playing with Loki’s face
- Demo of Loki puppet for auditions
- Odin’s concept and paper trials.
- Odin assembly: Photos from Odd and the Frost Giants
- Assembling Thor for Odd and the Frost Giants
- Assembling rehearsal Loki for Odd and the Frost Giants.
- Odd – Set Model!
- Loki’s face, take one
- Assembly of Thor’s head for Odd and the Frost Giants
- Would you like to visit me and see some puppets?
- Heading home, with pictures of the puppets
- A Peek at Odd rehearsal
- Tech rehearsal – just pictures
- Odd and the Frost Giants – Up and Running
I’ve been researching material options today as well as looking at Thor’s body. I spent a little while also trying a couple of patterns for Loki’s face, so allow me to show you my progress and thinking to date.
| The idea with this one is to create a lightweight rib structure of polyethylene foam and drape it with muslin dyed to match the wood. Over the entire structure, I’d stitch strips of PaperWood, which is a thin veneer backed by paper. I love the way this would look, but suspect that it would be unconscionably loud.
Pretty, but probably not actually viable. I’m going to look at cloth to see if there is anything with a wood grain look that might provide a similar look without the sound.
|This concept is very similar except that we’re only playing with the body, and not the legs. I’m imaginine this made with very rough felt to look like traditional Norwegian handfelted garments.
It is similar in concept to what I’ve got in mind for Loki. One reason to create a figure that doesn’t touch the ground is for the practical reason that Loki will be smaller and hence harder to see if he plays the floor. Having no legs gives a lot more flexibility in what the audience will accept as “ground.” Also, it means that the puppeteer won’t have to manage extra limbs.
|Speaking of Loki. I’ve been playing with his face.
The pictures of foxes that I’ve been looking at are all about the ears and the snout. Then they have this fantastic ruff around their heads.
It’s also interesting that Loki is not an arctic fox, but a red fox which isn’t native to Norway. It’s more common now, but is crowding out the native. That Loki… such a trouble-maker.
You’ll notice that I’m adding eyes now to the concept drawings. When I get to Odin, he’s missing an eye, which means that everyone needs to have eyes to miss. This does make folding the form a little harder, but it should be fun.
|The first attempt snout was too short. Kinda cute, but wrong.
I’m also trying to make Loki’s face asymmetrical. As a general rule, people perceive symmetrical faces as more beautiful and virtuous. Since Loki is a mischief maker, I’m twisting his face a little by giving him a broken nose.
In truth, I usually make puppet faces asymmetrical because you can get the illusion of a change in facial expression as the light plays over them. But with characters like Loki, I go for really obvious asymmetries.
|So I made a flat pattern from it and lengthened the snout.
I evened up the back of the head and made some adjustments to the eyes but otherwise it was mostly about giving myself more space for the nose.
(If you want to you can watch me make another figure all the way through.)
|I feel better about this effort but am not totally sold on it.
The forehead doesn’t sweep up the way I would like it to, but I don’t have enough paper in the eye region to do that the way the pattern is currently cut.
There’s a chance that I might have to do this one out of two pieces of paper. The advantage there would be that I could use two colors of veneer and get the red and white in the face without paint.