Reading Aloud: Singing while sick
I have a mild cold that I picked up from the germ factories that come aboard the boat to meet the Cinnamon Bear. It’s not bad, just a scratchy throat and fatigue–although I suppose the fatigue comes from other sources. Anyway, we carol as people are boarding. I enjoy this even though I’m scantily dressed in a fairy costume. What’s interesting about the way my voice functions when ill is that I lose my mid-range.
My speaking voice drops, but usually my head voice stays more or less clear. I can’t blend the two ranges at all. Now, this is a problem if I’m trying to belt Christmas Carols, (which uses the chest voice and blending) so I dealt with it by jumping up to my upper end and avoiding the midrange. So here’s me, speaking a couple of steps lower than normal, and then singing high soprano because that’s the only sound I’ve got reliable available. It’s useful to know how one’s voice behaves when sick.
Next time you have a cold, I want you to hum through your range. Start at the low end and hum up to the high end, then back down. Now, with me, my voice drops out on the way up the scale, and then comes back again. On the way down, I have more notes. It usually happens this way for me. I’ve been able to use this to compete, perform or audition by either picking pieces that fit the “sick” range or by adapting the work that I doing.
For a reading, I pitch my narrator higher than usual, to get above my dead zone. I save my suddenly deep low end for the male characters. It’s the only time I can really do a convincing male voice. I’ve always wished I were an alto because of that. It seems like it would be sooooo much more useful for voice work.
What does your voice do when you’re sick?