Reading Aloud 4: Cross-gender voices

Cross-gender voices are a tricky business. Even if you can really do a convincing cross-gender voice–and I know folks who can–the fact is that in a live reading, people know there’s one person doing all the voices. There are two ways cross-gender voices can throw people out of listening. It’s really bad, and embarrassing, or it’s really good and shocking that a female voice is coming out of a man’s mouth. Either way, the listener drops the story for a moment.

This is like a turn of phrase that’s really stunning in a story. You stop reading for a moment and think, “Wow, that’s lovely.” That may be true, but the story has stopped, right there. Same thing with voicing. Any time you make the listener stop to think, you’ve injured your story.

The point of doing different voices is to make it clear who is speaking–it’s not to make it sound like there are fifty people sharing the stage with you. If you really want it to sound like there are completely different people, hire some actors.

Now, with that said, you also want to use your voice to enhance the character and to help paint a picture in your listener’s mind. Even when I’m doing same gender voices, I tend to “lighten” my voice a little to make it more feminine.

But, besides the “audio picture” I’m trying to paint, part of the reason I do that is so that when I do male voices, I’m altering my voice to a similar degree.

Let me use a visual analogy. If you are watching a cartoon, you don’t think about the fact that there is no texture in hair or clothing. But, as soon as the animated character wanders onto a digitally rendered lawn, the fact that you can see every blade of grass is jarring. It makes the grass look unreal, and the character look unreal. They don’t and shouldn’t live in the same universe.

With voicing, if you want your cross-gender voices to sound real they must live in the same universe. So if you’re a guy and you’ve got to do a female voice, then don’t use your “natural” voice for a male character. Color your male voices to the same degree that you color your women’s.

And remember that you can be subtle.

Series Navigation<< Reading Aloud 3: NarratingReading Aloud 5: Working with microphones >>
Did you know you can support Mary on Patreon!

2 Responses

  1. David Loftus

    Heh. Many many years ago, when I was doing volunteer reading for the Massachusetts Association for the Blind’s recording studio, I accepted the assignment to record John Jakes’s massive Civil War novel _North and South_. Since this involved a considerable time and materials commitment for the studio, they had a blind woman “vet” the recording as I went along. She seemed largely approving of my work (although at that time I did not know the proper pronunciation of LeHigh, Pennsylvania). Anyway, she did complain about some of my women’s voices, saying they sounded too high and artificial, though “later they got better.” I felt she had not noticed the early voices were mostly Southern belles, whom I thought of as “female impersonators,” while the later, “better” voices tended to be Northern heroines, to whom I assigned relatively lower, stronger alto voices. Has anyone noticed how artificially high and squeaky many Japanese girls’ voices are, especially when men are around? Why anyone would find this sexy is beyond me.

%d bloggers like this: