Cat Rambo is joining us today with her book Altered America. Here’s the publisher’s description:
Steampunk fans will rejoice in the appearance of Altered America: Steampunk Stories, collecting Nebula and World Fantasy Award-nominated author Cat Rambo’s steampunk fantasies, including “Clockwork Fairies,” “Snakes on a A Train,” and “Her Windowed Eyes, Her Chambered Heart,” into a single book. Rambo’s wry humor, precise and evocative descriptions, and ability to create a world with a few deft touches are showcased in these ten tales.
Rambo has a gift for immersing her reader into a vivid universe full of adventure, sensuality, wit, and poignant observation. -Jody Lynn Nye
“Cat Rambo is endlessly innovative, ingenious, and just plain entertaining. Read her stories.” -Kevin J. Anderson, New York Times bestselling author of The Dark Between the Stars.
Highly recommended for anyone who enjoyed “The Wild, Wild West” and other steampunk stories. -Galaxy’s Edge Magazine
“A sparkling collection from one of the brightest talents in the field.” -Ursula Vernon
“Each one of Cat Rambo’s steampunk stories stands solidly on its own, but as a collection, these stories click together like cogs to depict a complicated, curious alternate Earth filled with magic, technology, and mayhem.” -Beth Cato, author of The Clockwork Dagger
Includes “Clockwork Fairies,” “Rare Pears and Greengages,” “Laurel Finch, Laurel Finch, Where Do You Wander?”, Darrell Award nominated “Memphis BBQ,” “Rappacini’s Crow,” “Her Windowed Eyes, Her Chambered Heart,” “Snakes On a Train,” “Web of Blood and Iron,” “Ticktock Girl” and “Seven Clockwork Angels.”
What’s Cat’s favorite bit?
My favorite thing about Altered America is that it let me go back to one of those places of wonder that we inhabit as children, which was the television show Wild Wild West, starring Robert Conrad as James T. West and Ross Martin as his sidekick, Artemus Gordon. Set in the frontier era, the show featured the two special agents serving President Grant by traveling around troubleshooting a variety of issues, including Dr. Miguelito Loveless, a genius dwarf given to constructing all manner of diabolical devices.
I was a solitary child, but I had plenty of imaginary playmates. West and Gordon often accompanied me in my explorations of the neighborhood; while I appreciated West, Gordon seemed the more approachable to me, and we had a number of conversations, though I cannot remember much of the content. Artemus West, the mechanical Pinkerton agent who appears in several of these stories (as well as at least one forthcoming one), is my tribute to those companions. I miss you guys.
I loved the texture of the show, the brassy glitter and touches of Art Nouveau, and the world they inhabited, which managed to also be the West that I knew from visits to my cattle-raising grandparents in Kansas. The show was steampunk before anyone knew what steampunk was, and decades later when I encountered the label, I knew instantly that it was a familiar landscape.
There’s a combination of machinery and magic in steampunk that fascinates me, that reminds me of those days of early reading when anything was quite possible because you hadn’t learned yet how many impossibilities the world presents. Why shouldn’t clockwork people think or guns shoot purple sparks and fire that turn you into animals? It’s a more malleable, interesting world than this one seems at times.
And it’s an era of exploration, of new doors constantly opening, and in steampunk those doors can lead in so many directions and collide with so many sub genres, opening onto the roiling depths of Lovecraftian horror or wandering into a beautifully ornate version of space. The stories in Altered America often differ from each other in flavor, whether it’s the fairytale tinged retelling of Sleeping Beauty or the more eerie realism of “Her Windowed Eyes, Her Chambered Heart,” but they’ve all got the crunch of gears and cogs down among the base notes.
“Her Windowed Eyes” is a return to one of the episodes that has stuck with me all my life, “The Night of the Living House,” in which West and Gordon track a fugitive to his ancestral home, which is haunted by the ghost of his mother. There’s a moment where every window in the room slams shut, refusing to let them out, that was — and remains — one of the scariest moments I’ve ever seen on film, and so when I wanted to work with a steampunk piece, that story was my inspiration — although I like to think what emerged is very different from the television episode.
I’ll leave it to you to judge.
Cat Rambo lives and writes primarily in the state of Washington, with occasional peregrinations elsewhere. A prolific short story writer, she has had work published in such places as Asimov’s, Clarkesworld Magazine, Weird Tales, and Tor.com. Her first novel, Beasts of Tabat, appeared in early 2015 from Wordfire Press and will be followed by its sequel, Hearts of Tabat, in late 2016. Also appearing this fall is Neither Here Nor There, Rambo’s fourth story collection.
Award nominations have included the Nebula and World Fantasy Awards, the latter for Rambo’s editorial work with Fantasy Magazine. She is a frequent volunteer with the Science Fiction and Fantasy Writers of America (SFWA) and is currently its President. She teaches a series of online writing classes, details of which can be found at her website. Her most recent nonfiction work is Ad Astra: the SFWA 50th Anniversary Cookbook, co-edited with Fran Wilde.